Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.

Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.

The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.

Coming from analogue? Qu will make you feel at home.

Capture Every Detail
Qu has been designed from the ground up to deliver professional sound quality, from input to output.

Qu-16 features sixteen AnalogiQ digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage.

The AnalogiQ preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, which are matched to 24bit digital to analogue converters to deliver the required high quality output.

World Class Processing & FX

Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.

Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.

Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.

Record. Stream. Mix.

With its built-in audio interface, Qu-16 can record up to 24 tracks to your Mac or PC, and returns from the computer can be easily assigned to the Input channels of the mixer.

Standard MIDI control is sent over the USB and network connections, this can be mapped to the faders of your favourite DAW using our MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols.

Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.

Qu-Drive
Record without a computer

Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.

Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.

On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

AMM
Automatic Mic Mixer

AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time.

Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly.

The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.

Spesifikasi Allen & Heath Qu-24 24-Channel Digital Mixer
Allen & Heath Qu-24 24-Channel Digital Mixer
With its responsive touchscreen, 25 motor faders and acclaimed AnalogiQ recallable preamps, Qu-24 combines exceptional ease of use with class-leading audio performance. Drawing on the technologies and workflow pioneered on our GLD and iLive touring systems, Qu makes Allen & Heath digital mixing more accessible and more compact than ever.

AnalogIQ Preamps
Qu-24’s twenty-four AnalogiQ total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analog signal is captured by high-class, low-latency 24-bit analog to digital converters matched to high-quality 24-bit digital to analog converters to deliver the required outputs. The AnalogiQ design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

The Mixing Experience
Having massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat. Once you start using Qu-24, you’ll sense the years of research into ergonomics and the hands-on mixing experience that the Allen & Heath team has drawn upon to deliver a wonderfully natural layout and workflow. It’s not about recreating an analog interface. It’s about creating an experience that’s fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all.

Touch Control
The 800 x 480, sixteen-million color Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

The Superstrip
All your key processing tools are presented in a clean layout on the SuperStrip, with one function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3-octave GEQ, compressor and delay. The stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.

Fader Automation
Moving faders started as an expensive option in the studio desks of the ’80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you’re dealing with multiple monitor mixes – just press a mix key and the faders immediately fly to the send levels for that mix. Qu-24 features 25 motorized ALPS faders, 24 arranged over two layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns and Mix masters can be assigned.

iLive FX
Qu-24’s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. Qu-24 boasts four stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.

Total Recall
True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu-24 can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single parameter updates can be blocked using per scene Recall Filters or a Global Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change. Custom settings for each EQ, compressor, channel or FX can be saved as Library presets. This lets you store your tried and tested SM58 EQ or reverb pattern and apply it to other channels or shows. Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu mixer.

USB Audio Streaming
Qu-24’s built-in interface streams up to 32 selectable tracks to your Mac or PC. The returns from the Mac or PC can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X – truly plug ‘n play. It will be recognized straightaway by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers.
Standard MIDI control is tunnelled over the USB connection so you can easily map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X systems.

Qu-Drive
Forget soundcard drivers and software setup, Qu-24 has an integrated multitrack USB recorder, providing 18 channels of 48kHz/24-bit recording and playback straight to / from your USB hard drive. Capturing stereo or multitrack recordings of your shows has never been so easy. Multitrack audio can be played back to Mono channels 1-18. Stereo files from your hard disk can be played back to ST3.

Armed to the Hilt
Qu-24 is equipped with five cores of high-efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response. The mixer’s DSP farm exploits next generation dual core DSPs. With plenty of DSP power under the hood the channel processing is only using a fraction of capacity, so Qu-24 is future-proofed, with ample room for updates and extra functionality. The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.

The Shape of Things to Come
Made from 18-gauge, cold-rolled Zintec steel, Qu-24’s distinctive frame is designed for strength and rigidity. Allen & Heath have done unspeakable things to that chassis in the lab and it’s taken everything thrown at it – even being stomped on by their resident ex-tank commander. Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.

Qu-Pad
Add the Qu-Pad iPad app to your Qu setup and you’re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings. Qu-Pad requires the connection of a Wi-Fi router or access point to the Qu-24 Network port.

Me Personal Mixing Station
Qu-24 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKE port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKE port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience.

DSNAKE
Qu-24 is a self-contained mixer, so if you’ve already got the analog cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-24’s dSNAKE port has you future-proofed, allowing connection to a remote AR2412 or AR84 Stagebox. dSNAKE is Allen & Heath proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390′. So if you’re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-24 in the mix position.

Softkeys
Qu-24 packs 10 SoftKeys for more user-assignable functions such as Mute Groups, Tap Tempo, Scene navigation or PAFL Clear.

4 Groups
Groups 1-4 are typically used as subgroups to LR for level masters and/or processing, for example to compress a drum kit or to tame multiple lavalier microphones with a single graphic equalizer.

The Matrix
Qu-24’s Matrix adds two further stereo outputs equipped with full processing to the console’s extensive I/O. It is a ‘mixer within a mixer,’ fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks and fill / zone speakers where independent GEQ and delay is applied.

FEATURES
24 mono Mic/Line channels
3 stereo Line channels
32 sources to the mix
12 mixes (4 mono, 3 stereo, LR)
4 FX with 4 FX send buses
10 assignable SoftKeys
4 Mute Groups
32 out, 30 in USB streaming
2 stereo Groups
2 stereo Matrix
Extra stereo outputs – AES digital, Alt Out, 2TRK out
Talkback mic input
dSNAKE for remote audio using an AR2412 or AR84 AudioRack
AnaLOGIQ total recall analogue preamps
Effects ported from the flagship iLive console
Dedicated stereo FX return channels
Master strip for quick access to mix levels and processing
Input channel linking for stereo sources
Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
Output processing – PEQ, Graphic EQ, Compressor, Delay
800×480 pixel colour touchscreen for quick control
Motorised faders for sends on faders, GEQ fader flip and mix recall
Quick copy and reset of settings and scenes
100 Scene memories
Channel Safes, Global and per Scene Recall Filters
Channel processing User Libraries
Qu-Drive for stereo and 18-track recording/playback to USB hard drive
USB streaming to/from an Apple Mac or Windows PC computer
MIDI DAW Control driver for Mac (converts to HUI or Mackie Control)
USB transfer of Scenes, Libraries, Shows
User-assignable Custom Layer
Qu-Pad wireless remote app for iPad
Compatible with the Allen & Heath ME personal mixing system
User Permissions to restrict operator access
Call or click to order this unique mixer today.

SPECIFICATIONS

Qu-24 24-Channel Digital Mixer

Inputs
Mic/Line Inputs 1-24: Balanced, XLR and 1/4″ TRS jack, fully recallable
Input Sensitivity (XLR / TRS): -60 to +10dBu / -50 to +20dBu
Analog Gain: -10 to +60dB, 1dB steps
Maximum Input Level (XLR / TRS): +19dBu / +29dBu
Input Impedance (XLR / TRS): >5kΩ / >10 kΩ
THD+N, Unity gain 0dB: 0.0005% -89 dBu (20-20kHz, Direct Out @0dBu 1kHz)
THD+N, Mid gain +30dB: 0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)

Stereo Line Inputs
ST1, ST2 connector Balanced, 1/4″ TRS jack, half normalled
ST3 connector: Unbalanced, 3.5mm Mini Jack
Input Sensitivity (ST1, ST2 / ST3): Nominal +4dBu / 0dBu
Trim: +/-24dB
Maximum Input Level (ST1,ST2 / ST3): +22dBu / +18dBu
Input Impedance: >7kΩ

Outputs
Mix1-10 and LR Out: Balanced, XLR
Output Impedance: <75Ω
Nominal Output: +4dBu = 0dB meter reading
Maximum Output Level: +22dBu
Residual Output Noise: -91 dBu (muted, 20-20kHz)

Stereo Alt Out & 2Trk Out: Balanced, 1/4″ TRS jack
Source (Alt Output / 2Trk Output): Patchable / LR post-fade
Output Impedance: <75Ω
Nominal Output: +4dBu = 0dB meter reading
Maximum Output Level: +22dBu
Residual Output Noise: -90 dBu (muted, 20-20kHz)

AES Digital Output
2 channel, 48kHz sampling rate, XLR
2.5Vpp balanced terminated 110Ω

dSNAKE
Inputs
Remote source for CH1-24, ST1, ST2, ST3
Outputs
Remote outputs for Mix1-10, LR
Compatible with AudioRacks AR2412, AR84
Compatible with ME personal mixing system
Measured balanced XLR in to XLR out, 0dB gain, 0dBu input

System
Dynamic Range: 112dB
Frequency Response: +0/-0.5dB 20Hz to 20kHz
Headroom: +18dB
Internal operating level: 0dBu
Sampling Rate: 48kHz +/-100PPM
ADC, DAC: 24-bit Delta-Sigma
Latency: 1.2 ms (local XLR in to XLR out), 0.7 ms (local XLR in to AES out)
Operating Temperature Range: 0 deg C to 35 deg C (32 deg F to 95 deg F)
Mains Power: 100-240V AC, 50/60Hz, 82W max (Qu-16), 120W (Qu-24)

USB Audio
Qu-Drive: USB A
Device: Use a USB hard drive (not a USB key)
Stereo Record: 2 channel, WAV, 48kHz, 24-bit, patchable
Stereo Playback: 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3
Multitrack Record: 18 channel, WAV, 48kHz, 24-bit, patchable
Multitrack Playback: 18 channel, WAV, 48kHz, 24-bit

USB Audio Streaming
USB B, Core Audio compliant
Send (upstream): 32 channel, WAV, 48kHz, 24-bit
Return (downstream): 30 channel, WAV, 48kHz, 24-bit

Control
Faders: 100mm motorised
Touchscreen: 5″ TFT, 800×480 resolution
SoftKeys: 10
Mute Groups: 4
Network: TCP/IP Ethernet for MIDI and iPad app

Input Processing
Source
CH1-24: Local, dSNAKE, or USB
ST1, ST2: Local, dSNAKE, or USB
ST3: Local, dSNAKE, or USB
USB Global Source: Qu-Drive or USB B Streaming

Stereo Linking
Odd/even input pairs
Parameters linked: EQ, dynamics insert, delay, assignments, sends
Link options: Preamp, polarity, sidechains, fade/mute, pan

Polarity: Normal/Revers
High Pass Filter: 12dB/octave 20Hz-2kHz
Insert: Assign FX into input channels
Delay: Up to 85ms

Gate: Self-key sidechain
Threshold/Depth: -72dBu to +18dBu / 0 to 60dB
Attack/Hold/Release

PEQ
4-Band fully parametric, 20-20kHz, +/-15dB
Band 1: Selectable LF Shelving (Baxandall), Bell
Band 2, Band 3: Bell
Band 4: Selectable HF Shelving (Baxandall), Bell
Bell Width: Non-constant Q, variable, 1.5 to 1/9th octave

Compressor: Self key Sidechain
Threshold / Ratio: -46dBu to 18dBu / 1:1 to infinity
Attack / Release: 300us – 300ms / 100ms – 2s
Knee: Soft/Hard
Types: Peak Manual, RMS Manual, SlowOpto, PunchBag

Channel Direct Out to USB: Follow Fader, follow Mute (global options)
Source select (global): Post-Preamp, Pre-EQ, Post-EQ, Post-Delay

Mix Processing
Insert: Assign FX into Mix channels
Delay: Up to 170ms
GEQ: Constant 1/3 oct, 28 bands 31Hz-16kHz, +/-12dB Gain
PEQ: 4-Band fully parametric, 20-20kHz, +/-15dB
Band 1: Selectable LF Shelving (Baxandall), Bell
Band 2, Band 3: Bell
Band 4: Selectable HF Shelving (Baxandall), Bell
Bell Width: Non-constant Q, variable, 1.5 to 1/9th octave

Compressor: Self-key Sidechain
Threshold / Ratio: -46dBu to 18dBu / 1:1 to infinity
Attack / Release: 300us – 300ms / 100ms – 2s
Knee: Soft/Hard
Types: Peak Manual, RMS Manual, SlowOpto, PunchBag

FX
Internal FX: 4x RackFX engine, Send>Return or Inserted
Types: Reverbs, Delays, Gated Reverb, ADT, Chorus, Symphonic Chorus, Phaser, Flanger
4 dedicated Stereo FX returns: Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ

Audio Tools
PAFL: PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay
Talkback: Assignable to any mix, 12dB/oct HPF
Signal Generator: Assignable to any mix, Sine / White/Pink/Bandpass Noise
RTA: 31-Bands 1/3 octave 20-20kHz, follows PAFL source

Dimensions:
Desk mounted: 632mm x 500mm x 186mm (24.9″ x 19.7″ x 7.4″)
Weight 14kg (31lb.)

Allen & Heath Qu-32 Digital Console at a Glance:

Intuitive – and very comfortable to work on
Touchscreen control speeds up your workflow
AnalogiQ preamps and 24-bit conversion, for warm, musical sound
Total-recall moving-fader automation supercharges your mixing

Intuitive – and very comfortable to work on

Having a mixer with massive processing power and sophisticated functionality is nice, but if you can’t get to the controls you need instantly, it’s all for naught. With the Qu-32, the digital console has evolved to the point where you forget that it’s digital, and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you’re a digital novice or coming from years of analog mixing, you’ll find the Qu-32 intuitive – and very comfortable to work on.

Touchscreen control speeds up your workflow

The Allen & Heath Qu-32 rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder – the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more.

AnalogiQ preamps and 24-bit conversion, for warm, musical sound

Allen & Heath fortified the Qu-32 with 32 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique padless 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24-bit A-D converters matched to high-grade 24-bit D-A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor.

Total-recall moving-fader automation supercharges your mixing

We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, “flying” faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you’re dealing with multiple monitor mixes. Simply push a mix key and the faders immediately fly to the send levels for that mix. The Qu-32 sports 33 motorized ALPS faders. The 32 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There’s also a dedicated master fader which dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns and Mix masters.

Allen & Heath Qu-32 Digital Console Features:

32 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy
Ergonomic layout and workflow is comfortable, fluid, and intuitive
Color touchscreen and dedicated data encoder give you quick and easy access to all settings
Key processing tools are presented clearly on the SuperStrip, with one function per physical control
33 automated, motorized ALPS faders (32 arranged over two layers) speed up and enhance your mixing
Four groups give you subgrouping flexibility to LR for level masters and/or processing
instant recall lets you save and recall scenes (snapshots) at the press of a button
Onboard studio-grade dynamics and FX algorithms derived A&H’s iLive pro touring series
Built-in interface streams multitrack audio to/from your Mac (OSX class-compliant)
Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools
Qu-Drive delivers 18 channels of 24-bit/48kHz recording/playback to/from your USB hard drive
Five dedicated cores of high efficiency ARM processing provide state-of-the-art processing
Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue
Fully compatible with A&H’s ME Personal Mixing System
dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake
Matrix adds 2 further stereo outputs equipped with full processing to the console’s extensive I/O
18 gauge, cold-rolled Zintec steel frame delivers strength rigidity, and distinctive looks

Tech Specs
Type Digital
Channels 32
Inputs – Mic Preamps 32 x XLR
Inputs – Line 32 x TRS
Inputs – Other 4 x TRS (ST1,2), 1 x 1/8″ TRS (ST3)
Outputs – Main 2 x XLR
Outputs – Other 4 x TRS (2TRK, Alt), 10 x XLR (Mix Outs), 12 x XLR (Group, Matrix)
Outputs – Digital 1 x XLR (2-channel AES)
Headphones 1 x TRS
Send/Return I/O Ethernet, USB-B
Data I/O D-Snake port
Phantom Power 32
EQ Bands 4-band parametric
Aux Sends Virtual, via configurable user strip
Busses/Groups 4 groups
Faders 33, 100mm motorized
Channel Inserts Virtual, via SuperStrip
Effects Yes
Talkback Yes
DAW Control Partial
Computer Connectivity 1 x USB A (to device), 1 x USB B (to host)
Height 7.32″
Depth 19.53″
Width 33.42″
Weight 44 lbs.

16-mono, 3-stereo channel mixer for live sound, recording, and production.

From the Allen & Heath’s ZED series, the ZED-22 FX has been developed around a new FX chipset. Allen & Heath’s DSP engineers crafted and refined beautiful reverb algorithms and the 16 effects they created are unique to the ZED FX mixing consoles. 16 essential time-delay effects add to the already bulging feature set. The mixer is ideal for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. In addition, you get smooth-sounding DuoPre mic preamps, 100mm faders, and the MusiQ EQ section which are shared with the whole ZED range.

Internal FX

16 separate effects have been crafted into the ZED-FX range. These include Delay and Reverb, Ping-Pong delay, a selection of reverbs with different room/hall/arena properties, a flanger, and a chorus. All have been designed to sweeten your sound with minimal effort. Each of the effects has a parameter which can be altered: pre-delay can be adjusted, room sizes tweaked, and flanger speed dialed-in. 5 of the effects can have their tempo tapped in, and the output auditioned by the FX PFL.

Inputs

One of the great things about the ZED-22FX USB mixer is the number and variety of things you can plug in. In addition to the 16 mono channels, there are 3 dual stereo channels, each with a main stereo input on the jack sockets, and with the ability to take additional stereo inputs from phono sockets, or from the USB audio input. 16 mic/line channels are provided on the ZED-22FX—plenty for mics or DI boxes for a small band, duo, or solo performer, as well as 4 stereo line inputs—dual inputs, both with gain and 2-band EQ.

DuoPre

Based on the proven preamps from their PA series, Allen & Heath’s ZED series mixers have DuoPre preamps which use a 2-stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge—69dB of range to be exact—and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the preamp by using the line input jack socket, which has the great advantage of less noise when using the line input.

EQ section

The ZED-22FX series mixers feature a musical 3-band EQ derived from the acclaimed GL2400 mixer. The design uses MusiQ—optimised slope (or Q factor) for equalizing individual instruments.

Auxiliary sends

4 aux sends are provided, of which 1 & 2 are prefade for foldback monitoring, and 3 & 4 post-fade for effects sends. A stereo signal can be sent from auxes via USB-to-computer to create 2 separate record feeds independent of the main L/R mix (1&2) and or used as FX sends (3&4).

USB audio flexibility

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on the ZED-22FX USB mixer is flexible and easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs only to find that the levels are all wrong and noisy. Just plug in a USB lead to your mixer, select the USB routing on the mixer and the device on your computer, and that’s it. 3 switches provide different send/return configurations for recording, playback, and utilizing external FX.

Build

The ZED-22FX USB mixer has been designed using individual, vertically mounted circuit boards with each rotary control fixed with a metal nut to the front panel—making a much more robust product that will resist damage and give years of reliable use. It also has professional 100mm faders for ultimate control over your levels.

SONAR LE included

Allen & Heath teamed up with Cakewalk to bundle SONAR LE with the ZED 22-FX mixer. The 2 work together in many ways, from straightforward recording of a stereo mix to recording tracks individually to build up a song, or even for inserting a SONAR LE effects plug-in.

ZED FX Series

ZED FX USB mixers are easily controlled using 3 buttons and 9 LEDs. Quickly tap the ideal delay time or dial in the perfect amount of reverb on the lead vocal. Talk about one-stop navigation and editing, it’s just as easy your average effects pedals. Hold down the TAP button and press the up or down button to alter the effects parameter. For example, on patch (9) Plate, this would adjust the decay length. The ZED-22FX mixer is designed to fulfill all the functions needed for a small band. The layout and features have all been arranged to be logical and instantly recognizable even at a dark gig to make it a mixer you can trust to perform.

The USB audio interface, with its uniquely flexible capability, allows different signals to be sent to USB, from L/R or from selected aux buses. The USB return signal can be routed straight to the L/R mix or to a stereo channel. The connectors are placed on the top surface for easy plugging & patching, and the construction, with individual circuit boards firmly nutted to the top panel, is as rock solid as Allen & Heath’s top-of-the range ML Series mixers.

Features
16 internal effects including Delay and Reverb, Ping-Pong, more
16 mono channels
3 dual stereo channels, each with main stereo input on the jack socket
USB audio input
22 channel (16 mono + 3 stereo)
DuoPre preamps
100mm faders
9 LED meter
High-pass filter
Stereo imaging control on every channel
3-band EQ with swept mid
4 auxiliary sends (2 pre, 2 post)
Global 48V phantom power
3 dual stereo inputs with 2-band EQ
Peak and signal indication on every channel
Configurable USB stereo audio in/out
Master level controls on all outputs
Easy-to-use layout—all connections and controls on top surface
Cakewalk SONAR LE bundled with mixer
Channel mute switches
Stereo return
2-track return
Advanced monitoring facilities
1/4" and 3.5mm headphones outputs
Stereo record out
alternative stereo out
Mono sum of L/R output
Main L/R
12-bar L/R meters
Master controls for Aux 1&2

ZED-22FX USB Mixer with Effects Specifications:
Weight: 23.1 lb.
Dimensions: 25.4"W x
x 18.3"D

Multipurpose mixer with USB for live sound, recording, and production with 16 unique FX.

Complementing the Allen & Heath’s ZED series, the ZED-12FX and its fellow FX series mixer have been developed around an FX chipset. Allen & Heath’s DSP engineers worked hard, crafting and refining beautiful reverb algorithms. The 16 effects they created are available nowhere else—this quality and integration is only available in the ZED FX series. 16 essential time-delay effects add to the already bulging feature set. The ZED mixer is ideal for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. In addition, the ZED-12FX USB mixer gives you DuoPre mic pre-amps, 100mm faders, and the MusiQ EQ section which are shared with the whole ZED range.

Internal FX

16 separate effects have been crafted into the ZED-FX range. These include Delay and Reverb, Ping-Pong delay, a selection of reverbs with different room/hall/arena properties, a flanger, and a chorus. All have been designed to complement the material the engineer is working with. Each of the effects has a parameter which can be altered: pre-delay can be adjusted, room sizes tweaked, and flanger speed dialed-in. Five of the effects can have their tempo tapped in, and the output auditioned by the FX PFL.

Inputs

One of the great things about Allen & Heath’s ZED series is the number and variety of things you can plug in. In addition to the mixer’s 6 mono channels, there are 3 dual stereo channels, each with a main stereo input on the jack sockets, and with the ability to take additional stereo inputs from phono sockets, or from the USB audio input. 6 mic/line channels are provided on the ZED-12FX—plenty for mics or DI boxes for a small band, duo, or solo performer, as well as 4 stereo line inputs—dual inputs, both with gain and 2-band EQ.

DuoPre

Based on the proven preamps from their PA series, Allen & Heath’s ZED series has DuoPre preamps which use a two-stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge—69dB of range to be exact—and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the preamp by using the line input jack socket, which has the great advantage of less noise when using the line input.

EQ section

The ZED-12FX USB mixer features a musical 3-band EQ derived from the acclaimed GL2400 mixer. The design utilises MusiQ—optimised slope (or Q factor) for equalising individual instruments.

Auxiliary sends

4 aux sends are provided, of which 1 & 2 are prefade for foldback monitoring, and 3 & 4 post-fade for effects sends. A stereo signal can be sent from auxes via USB-to-computer to create 2 separate record feeds independent of the main L/R mix (1&2) and or used as FX sends (3&4).

USB audio flexibility

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on the ZED FX mixers is flexible and easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs only to find that the levels are all wrong and noisy. Just plug in a USB lead to your mixer, select the USB routing on the mixer and the device on your computer, and that’s it. Three switches provide different send/return configurations for recording, playback, and utilising external FX.

Build

The ZED-12FX has been designed using individual, vertically mounted circuit boards with each rotary control fixed with a metal nut to the front panel—making a much more robust product that will resist damage and give years of reliable use. It also has professional 100mm faders for ultimate control over your levels.

SONAR LE included

Allen & Heath teamed up with Cakewalk to bundle SONAR LE with the ZED 12-FX mixer. The two work together in many ways, from straightforward recording of a stereo mix to recording tracks individually to build up a song, or even for inserting a SONAR LE effects plug-in.

ZED FX Series

ZED FX mixers are easily controlled using 3 buttons and 9 LEDs. Quickly tap the ideal delay time or dial in the perfect amount of reverb on the lead vocal. Talk about one-stop navigation and editing, it’s just as easy your average effects pedals. Hold down the TAP button and press the up or down button to alter the effects parameter. For example, on patch (9) Plate, this would adjust the decay length. The ZED FX mixers are designed to fulfill all the functions a small band would need without needing their own sound engineer. The layout and features have all been arranged to be logical and instantly recognisable even at a dark gig to make it a mixer you can trust to perform.

The USB audio interface, with its uniquely flexible capability, allows different signals to be sent to USB, from L/R or from selected aux buses. The USB return signal can be routed straight to the L/R mix or to a stereo channel. The connectors are placed on the top surface for easy plugging & patching, and the construction, with individual circuit boards firmly nutted to the top panel, is as rock solid as Allen & Heath’s top-of-the range ML Series mixers.

Features
16 internal effects including Delay and Reverb, Ping-Pong, more
6 mono channels
3 dual stereo channels, each with main stereo input on the jack socket
USB audio input
6 mic/line channels
Insert points
DuoPre preamps
100mm faders
9 LED meter
High-pass filter
Stereo imaging control on every channel
3-band EQ with swept mid
4 auxiliary sends (2 pre, 2 post)
Global 48V phantom power
3 dual stereo inputs with 2-band EQ
Peak and signal indication on every channel
Configurable USB stereo audio in/out
Master level controls on all outputs
Easy-to-use layout—all connections and controls on top surface
Cakewalk SONAR LE bundled with mixer
Channel mute switches
Stereo return
2-track return
Advanced monitoring facilities
1/4″ and 3.5mm headphones outputs
Stereo record out
alternative stereo out
Mono sum of L/R output
Main L/R
12-bar L/R meters
Master controls for Aux 1&2

ZED-12FX USB Mixer with Effects Specifications:
Weight: 14.3lb.
Dimensions: 15.2″W x
x 18.3″D

Smart controls and processing tools
CQ-12T to be an easy digital mixer to navigate, its Preamp Gain Assistant takes all the guesswork out of setting your levels. Its Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake. You also get instrument-based Quick inputs that help you get a great sound — fast. The CQ-12T includes two Smart-FX engines, which enable you to select from easy-to-use reverb, delay, and modulation units for instrument-centric, signal-conscious effects. Taking command of the Allen & Heath CQ-12T is easier than a walk in the park. Its tactile encoder enables you to adjust a wide range of parameters with a single, easy-to-use knob. Its custom keys allow you to tailor the CQ-12T to your preferred workflow. Moreover, its responsive touchscreen gives you the perfect combination of physical control and at-a-glance visual feedback.

Say Goodbye to Feedback

CQ’s Feedback Assistant automatically detects and eliminates problem frequencies using up to 16 filters per output so you can mix with confidence – and forget about feedback. The CQ-12T makes multitrack recording extremely simple. For starters, you get 16 channels of SD card recording and playback via an onboard SD card reader. Beyond that, its built-in 16-in/16-out USB audio interface allows you to create top-shelf digital multitrack recordings using your DAW of choice.

Features:

A compact 10-channel digital mixer that fits in your backpack
Exhibits outstanding sound quality at 96kHz
10 excellent-sounding microphone preamps and stereo Bluetooth input
Preamp Gain Assistant takes all the guesswork out of setting levels
Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake
Instrument-based Quick inputs help you get a great sound quickly
Complete inputs allow for in-depth tweaking
Smart-FX engines include reverb, delay, modulation, and more
Tactile encoder adjusts a wide range of parameters with a single, easy-to-use knob
Custom keys tailor the mixer to your preferred workflow
Responsive touchscreen combines physical control and at-a-glance visual feedback
16 channels of SD card recording and playback via an onboard SD card reader
Built-in 16-in/16-out USB audio interface enables top-shelf digital multitrack recordings using a computer and DAW

Specifications
Type: Digital Mixer/Recorder/USB Interface
Channels: 10
Inputs – Mic Preamps: 5 x XLR-1/4″ Combo, 5 x XLR
Phantom Power: 10 Channels
Inputs – Line: 2 x 1/4″ TRS (L, R)
Outputs – Main: 2 x XLR (main)
Outputs – Direct: 6 x 1/4″ TRS (monitors)
Data I/O: 1 x RJ45
Headphones: 1 x 1/4″ TRS
USB: 1 x Type B, 1 x Type A
Computer Connectivity: USB (16 x 16), Ethernet
Bluetooth: Stereo Input
Remote: 1 x 1/4″ (footswitch)
Effects: Reverbs, Delays, Modulators
Signal Processing: 96kHz FPGA
Features: Feedback Assistant
Screen: 7″ touchscreen
Storage: SD card slot
Software: CQ MixPad App, CQ4You App
Rackmountable: Yes (kit sold separately)
Power Source: 12V DC Power Supply
Manufacturer Part Number: AH-CQ12T

Smart controls and processing tools
We’ve found the CQ-18T to be an easy digital mixer to navigate. Its Preamp Gain Assistant takes all the guesswork out of setting your levels. Its Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake. You also get instrument-based Quick inputs that help you get a great sound — fast. The CQ-18T includes four Smart-FX engines, which enable you to select from easy-to-use reverb, delay, and modulation units for instrument-centric, signal-conscious effects. Taking command of the Allen & Heath CQ-18T is easier than a walk in the park. Its tactile encoders enable you to adjust a wide range of parameters with easy-to-use knobs. Its custom keys allow you to tailor the CQ-18T to your preferred workflow. Moreover, its responsive touchscreen gives you the perfect combination of physical control and at-a-glance visual feedback.

Allen & Heath CQ-18T 16-channel Digital Mixer

Rock-solid recording options
The CQ-18T makes multitrack recording extremely simple. For starters, you get 24-in/22-out recording and playback via an onboard SD card reader. Beyond that, its built-in 24-in/22-out USB audio interface allows you to create top-shelf digital multitrack recordings using your DAW of choice. include intuitive hands-on control on a beautiful 7″ touchscreen, extensive I/O, sample rates of up to 96kHz, and all the functionality you’d come to expect from a conventional live mixer. Other features include USB, WiFi and Bluetooth connectivity, multiple storage and recording options, and more, that make it easier than ever to dial in and make the most of your audio.

Features:
A compact 16-channel digital mixer that fits in your backpack
Exhibits outstanding sound quality at 96kHz
16 excellent-sounding microphone preamps and stereo Bluetooth input
Built-in 2.4GHz/5GHz Wi-Fi with auto channel
Preamp Gain Assistant takes all the guesswork out of setting levels
Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake
Instrument-based Quick inputs help you get a great sound quickly
Complete inputs allow for in-depth tweaking
Smart-FX engines include reverb, delay, modulation, and more
Tactile encoders adjust a wide range of parameters with easy-to-use knobs
Custom keys tailor the mixer to your preferred workflow
Responsive touchscreen combines physical control and at-a-glance visual feedback
24-in/22-out recording and playback via an onboard SD card reader
Built-in 24-in/22-out USB audio interface enables top-shelf digital multitrack recordings using a computer and DAW

Specifications
Type: Digital Mixer/Recorder/USB Interface
Channels: 16
Inputs – Mic Preamps: 8 x XLR-1/4″ Combo, 8 x XLR
Phantom Power: 16 Channels
Inputs – Line: 2 x 1/4″ TRS (L, R)
Outputs – Main: 2 x XLR (main)
Outputs – Direct: 6 x 1/4″ TRS (monitors)
Data I/O: 1 x RJ45
Headphones: 2 x 1/4″ TRS
USB: 1 x Type B, 1 x Type A
Computer Connectivity: USB (24 x 22), Ethernet, 2.4G/5G AC Wi-Fi
Bluetooth: Stereo Input
Remote: 1 x 1/4″ (footswitch)
Faders: 3 x Custom Rotary
Effects: Reverbs, Delays, Modulators
Signal Processing: 96kHz FPGA
Features: Feedback Assistant
Screen: 7″ touchscreen
Storage: SD card slot
Software: CQ MixPad App, CQ4You App
Rackmountable: Yes (kit sold separately)
Power Source: 12V DC Power Supply

CQ introduces a new suite of high-quality, user-friendly reverb, delay and modulation algorithms with instrument-specific presets for speedy setup. Selected units feature our new FX Assist tool, automatically shaping the effects and dynamically responding to your input signal to ensure your mix is enhanced by FX, not engulfed. CQ’s Feedback Assistant automatically detects and eliminates problem frequencies using up to 16 filters per output so you can mix with confidence – and forget about feedback. CQ makes it easy to handle multiple channels simultaneously with 4 DCAs, each capable of controlling the level of any combination of inputs, outputs, and FX, for simple single-fader control of multiple channels, such as a drum kit, without affecting their relative levels.

Allen & Heath CQ-20B Digital Mixer with WiFi and Bluetooth Connectivity : Amazon.in

There’s also 4 Mute Groups, enabling you to mute and unmute multiple channels at once via a single button, perfect for muting all stage mics or monitor speakers.

Features:
A compact 16-channel digital mixer that fits in your stage rack
Exhibits outstanding sound quality at 96kHz
16 excellent-sounding microphone preamps and stereo Bluetooth input
Built-in 2.4GHz/5GHz Wi-Fi with auto channel
Preamp Gain Assistant takes all the guesswork out of setting levels
Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake
Instrument-based Quick inputs help you get a great sound quickly
Complete inputs allow for in-depth tweaking
Smart-FX engines include reverb, delay, modulation, and more
Remote control stagebox operation combines physical control and at-a-glance visual feedback
24-in/22-out recording and playback via an onboard SD card reader
Built-in 24-in/22-out USB audio interface enables top-shelf digital multitrack recordings using a computer and DAW

Specifications

Type: Digital Mixer
Channels: 16
Inputs – Mic Preamps: 8 x XLR-1/4″ Combo, 8 x XLR
Phantom Power: 16 Channels
Inputs – Other: 4 x 1/4″ TRS
Outputs – Main: 2 x XLR (main)
Outputs – Direct: 6 x XLR (monitors)
Outputs – Other: 1 x 1/4″ (assingable alt)
Data I/O: 1 x RJ45
USB: 1 x Type B, 1 x Type A
Bluetooth: Stereo Input
Computer Connectivity: USB (24 x 24), Ethernet, 2.4G/5G AC Wi-Fi
Headphones: 1 x 1/4″ TRS
Software: CQ MixPad App, CQ4You App
Rackmountable: Yes (kit sold separately)
Manufacturer Part Number: AH-CQ20B